i was feeling sad. so i bought a phone charm at giant robot, saw “the house bunny” with jess and drank white wine at 5pm.
this image is from the little card that came with the phone charm :

i also made a bunch of drawings.
it’s 4am.
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i was feeling sad. so i bought a phone charm at giant robot, saw “the house bunny” with jess and drank white wine at 5pm.
this image is from the little card that came with the phone charm :

i also made a bunch of drawings.
it’s 4am.

so i went to the new museum for the first time yesterday to see a piece by klara liden.
i did this because deb satter, a video artist that i’m gonna be working with, told me to check it out. the show ‘after nature’ was all around cool, but liden’s piece was really interesting. if you go you should check it out - it’s on the back staircase between the 3rd and 4th floor galleries.
i asked one of the museum employees if that was her only work in the exhibit and she said, “yes, and thank you for noticing it.”
liden is part of reena spaulings, this art gallery/collective. the piece at the new museum, “untitled” (not pictured above), is this little cardboard room hidden away from the rest of the exhibit.
you walk in to find three little stools and a beautifully cut, textured wall of cardboard that seems to reach infinitely high. a small, shitty tv sits on the floor and you have to look down to see the video (which is of some dude walking backwards through various cityscapes shot in profile). at first it seemed kind of boring, but as you sit, the simple repetitive piano music kind of puts you in a kind of creepy zen situation.
then you notice the obnoxiously huge, black foamcore inverted representation of the new museum itself twirling above your head on a string. i loved this part. it was this awesome commentary on the hideousness of the building’s architecture, and it floated over you like a regret.
the new museum is free from 7-10pm on thursdays, FYI.

moving fast. that’s what i do, these days.
i thought i would write this little update to my faithful blog-readers, all five of you.
so i’m making a big life change this fall. i’m quitting my full-time job as associate producer of dancers responding to AIDS and trying to do the freelance design thing. henceforth, i’m moving, and trying to streamline my website to appear a bit more professional. um. so sorry if you had to click an extra time to get to this blog. you can bookmark directly to http://www.chrisgiarmo.com/blog if you want.
i’ve definitely had many blog-worthy experiences : i.e. hanging out with whoopi goldberg talking about LOST, assistant choreographing david byrne’s next world tour, making some amazing potatoes last night (just to name a few).
i promise, dear readers. promise promise promise. that when i have days of free-time in my near future i will be more faithful to you.
i heart you all :
xo - c
…where’d you put the keys, girl?

look at this ridiculousness. tori amos donned a silver lamé dressing gown, white chunky boots, mounted a horse and made art. ah, the nineties. i can safely say it swayed me. i remember looking at this image, from the ‘winter’ single, and thinking it was the most beautiful thing i’ve ever seen.
things are gonna change so fast.
tina, julia, jess, wayne and i go sing karaoke at sing sing st. marks. we’re all redheads :

first drawing i did in the rhodia note pad i bought in france :
